Adobe Photoshop CS4: Working with Alpha Channels, Making Transparent images.

Alpha Channels, in a nutshell, are Layer Masks that you can put aside and use again later in the same document.  While regular layer masks are only for the individual instance where you applied them, Alpha Channels can be used again and again.

Our goal here is to make an image residing in a single layer transparent.  To accomplish this, we will create an Alpha Channel. 

First:  open a document in PS.  Here we have the Adobe logo.


Click the Window drop-down menu, then click Channels.

Your screen should have both the Layers Palette and the Channels Palette open.

Your screen should have both the Layers Palette and the Channels Palette open.


Click the Blue Channel.  In this case it is closest to black as opposed to the Green or Red Channels.  Black normally filters out ALL colored pixels trying to shine through the image on the Layer itself.


Duplicate the Blue Channel by dragging it onto the Channel Palette’s New Layers icon.  Then select the duplicate channel, called "Blue Copy".  (This duplicated channel is the beginning of your Alpha Channel.)


Image / Adjustments / Levels

Pump up the Black to whatever level you like.  Click OK.


Click Image / Adjustments / Invert

Results so far...

CTRL + Click the Alpha Channel icon.  You'll see the dancing ants. 

Select Base Layer in the Layers Palette and click the Add Layer Mask button.  This will load the Alpha Channel into the Layers Palette.

A new Layer Mask is added to the Layers Palette. 

Voila!  Your Adobe logo is now transparent. 

The new mask (in the LAYERS palette and where colored black) prevents all white in the entire original image from shining through to your eye.  At the same time, the new mask (in the LAYERS palette and where colored white) allows all red from the original image to shine through to your eye.  "Black conceals, and white reveals!"

The crucial action that made it look so cool was the Invert.  If you hadn't of done that, your result would be so...

Without that Invert, your Alpha Channel (pre-inversion) would be colored white for the logo "A", and "Adobe" at the bottom and the triangle shapes on the left and right would be colored black.  (Compare with the proper result above.)  So, when you load the non-inverted Alpha Channel into the Layers Palette, "Adobe" and those triangles are transparent.  Why?  "Black conceals and white reveals!", the old rule for Layer Masks.



You see color.   A bright red Adobe icon.  PS does not see color.  PS sees that red as a composite of black and white pixels.

Pixels are the individual units of color in PS.  They're the molecules in the PS body.

PS sees any color pixel only as a mix of black plus white.  These mixes come in three.  modes:  Red Green and Blue, the primary colors of our universe.  Any pixel's black and white mixture is assigned 3 numbers.  (Pure black is R=0, G=0, and B=0.  Pure white is R=255, G=255, and B=255.  Midpoint Grey is R=133,  G=133, and B=133.)  That number combo is all PS sees, and is happy seeing.  You, on the other hand, get all emotional about how the color affects your life and your feelings. 

If you go back to your original image and open the channels palette, you can click each individual palette.  This will show the pixels that belong to that palette.  (Clicking on the RGB channel at the top will keep the image in full living color.)  If you are viewing the Red Channel only, the lighter the spot on the image, the more color red will show through in full living color.  This is best understood by looking for a single big white spot while in the Red channel, and then clicking on the RGB channel to see red appear in the same spot, then clicking on the Red channel again, then the RGB channel again, back and forth a thousand times to see red appear and disappear.

It follows that the darker the spots on the Red channel, the less red will show up in full living color.  Keep clicking back and forth till your mind is wrapped around this concept.  It can take a while.  You'll get it. 

The same concepts apply for Green and Blue channels.

Why did we make a copy of the Blue Channel for our Alpha Channel?  Because it was the darkest one of all for this particular image and therefore easiest to use as that final Layer Mask.  "Black conceals and white reveals!"

Remember, in Layer masks in general, black filters out color from shining through to your eye.  We made a black filter the shape of the Adobe icon, that means NO color will be shining through to your eye.  Hence, a transparent Adobe icon.


Best of luck,


J. Rosenfeld


Illustrator CS4: Breaking Links Between Photoshop and Illustrator.

In the past you may have imported, say a blue circle from a SOURCE FILE in Photoshop, into a TARGET FILE in Illustrator containing, say, a red square.  Then you saved the Illustrator file, and forgot about it.  If imported incorrectly (and you can’t just Edit/Copy from PS and then Edit/Paste into ILL), it caused an error message when you opened the Illustrator file much later on, which brought you here to get a solution.  Welcome!

What happened, technically and behind the scenes, is that a LINK was created between the PS image and ILL.  The terrific idea behind linking is that whenever you change the PS image, it will automatically update every ILL file that imported that image.   This is a great feature when operating under strict controls that never change.  But it causes error messages and a lot of headaches when, likely, the source file in Photoshop changed significantly (like a name change) or was deleted to free up space, or any number of other situations.

This is my solution, and it involves breaking the link:

In Illustrator:  I found the best process is to start by opening a new blank file, and NOT work immediately with the target file.

Click File / Place

Choose the source Photoshop file to import

Click OK, and the imported file opens in Illustrator.

Select the desired layer, and copy

Now go to your target file

Click Edit / Paste in Front

Open Links Panel

In Links Panel, open fly-away menu

Click Embed Image

Dialog box pops up

Click Convert Layers to Objects


Rename layer!!!!!!

File / Save target file

Close and reopen to double-check if the Link is broken, so no future mishaps with deleted linked files.

No more linked images, no more headaches.